laminated gold jewelry wholesale los angeles How to understand the relationship between points and lines

dropship wholesale fashion jewelry nyc Understanding of the line of painting element
The lines are very expressive factor in morphological elements. Its length, thickness, straightness change, and vertical, horizontal, and tilted state in the space are indispensable in painting. The symbolicness of the line itself is concise and straightforward. If the straight line has a rigid feeling, the curve has a soft feeling, the vertical line has a solemn feeling, and the horizontal line has a quiet feeling. These are the general concepts of the line, and what we want to recognize is those more subtle feelings. Language cannot clarify these feelings. Therefore, we still feel the expression of lines in painting in the master's work.

(see the "Wind God" and "The King of the Ming Dynasty".
This are composed of lines. The straightness, vertical and horizontal lines of the line of "God", the comparison between the symbolic and abstract and the lines of the lines are the form of the internal meaning. "The King of the Ming Dynasty" uses similar curves to obtain a order through the gradual change of thickness, length, and denseness. Both paintings are the structure of the line. One is based on straight lines, the other is mainly curved, and the visual effects are different.

(See "Water Plasses White Cycles" and "Crows Grass Shrimp" virtual valley)

"Water Flower White Po" is the structural picture of the line. However, the white catfish is a light and tough line; the aquatic plants are the threads of hairy and looseness. The visual differences of two different nature lines are very large. "Cornwood Shrimp" is also the structure of the line, but this painting, the expression of the line is relatively weak, because the pine water plants are not different in line quality. Therefore, we can draw such a conclusion: there is a difference in line performance and difference in shape; the more loose hair, the weaker the performance of the line, and its organizational structure is not clear; The more the lines and lines, the stronger the lines of the line, and the clear the relationship between the organizational structure.

(See the "Water Storm Fish I don't Know" Xugu)
The dozen tail white fish, which is the layout of a dozen lines. The form of each one is not only changes in volume, weight, tightness, and thickness, but also the combination relationship between each other also has a dense and vertical cross -crossing change. If the fish becomes an abstract line, its situation is also very good.

(see "Bihu Slow Boat" Xugu)
ships, sails, embankments, are picture factors. This is the exquisite layout of several lines. The embankment is an abstract length, the ship is figurative and the volume line. There is a delicate relationship between them, the main compliance relationship, and the contrast between the main and second. The sails are coordinator of the embankment and the vertical and horizontal relationship, which makes the separated lines have a fusion factor. From this painting, I can see that the similar and volume lines can make people's attention than abstract and flat lines. The main position of the screen, and less lines of lines, is more distinctive than secondary positions and more line tissues.
(see "Liu Ye Shut"
This is a model of the form of the line, interspersed, interspersed, scattered, and dense changes. A good structure cannot be elaborated in words. As soon as good painting works will give you endless interest, the structure is clear, the aesthetics tends to be clear and the purpose is high. Conversely, the structure is blurred, and the aesthetic purpose is low, but it cannot enter the flow.
In the above -mentioned appreciation works, we can have a little understanding of the expressiveness of the line. If we can summarize, the general expression of the general line is as follows:
① The difference in line quality will bring brings brings brings A certain expression.
② lines of lines will create different feelings.
③ Similar and abstract comparison of the line, the volume and plane contrast are have certain expression.
④ The trend change of lines is the most expressive. The comparison and coordination of the comparison and coordination of the lines of lines, straight, thickness, weight, denseness, vertical and horizontal, rigidity, dynamic and static, main and second, virtual reality, etc. can reveal the rich aesthetic experience. This is the function of the line.
The summary of the above is just a general functional understanding of the line. The expression of some lines cannot be explained in words, and only by experience. Below, let's look at the expression of the face.